CSample Recorder in G
*Change the above record to your own caption (80 chars max)
O1goct1.bmp,missing octave 1 bitmap
O2goct2.bmp,missing octave 2 bmp
O3goct3.bmp,missing octave 3 bmp
H0Recorder in G
H1Alternates for Recorder in G
H2Alternates for Recorder in G - Page 2
H3Alternates for Recorder in G - Page 3
H4Alternates for Recorder in G - Page 4
H5Alternates for Recorder in G - Page 5
H6Alternates for Recorder in G - Page 6
H7Alternates for Recorder in G - Page 7
H8Alternates for Recorder in G - Page 8
H9Alternates for Recorder in G - Page 9
HaAlternates for Recorder in G - Page 10
HbAlternates for Recorder in G - Page 11
HcAlternates for Recorder in G - Page 12
HdAlternates for Recorder in G - Page 13
*Change the above records to change the "Standard" and "Alternate" headings
*Ra
*To start with different recorder, delete asterisk from above record
*and change the character following the 'R'
*(Ra = alto; Rs = soprano; Rb = bass)
***** External ReadMe records *****
*Change column 4 of next record to a 1 to have ReadMe displayed on Load
Nrm0
F00dmThis external file contains a sample recorder in G.
F05dwIt shows how to modify the N records to give different note names
F10dm and also how to supply O records to show a different scale.
F15dwThe Octave 1 G note also shows a sample of single-holes on rt hand fingers 3 and 4
F20dm
***********************************
*Note: F, Octave 1 (0)
Nfn1;G
F00d,c-,c-c-c-,c-c-,s-c-s-c-,o-,00
F10h,c-,c-c-c-,c-c-,c-c-c1c1,o-,00
F20h,c-,c-c-c-,c-c-,c-c-c-c2,o-,00
F30dmNo Alternates
***********************************
*Note: F#, Octave 1 (100)
Ngf1;G#
F00d,c-,c-c-c-,c-c-,c-c-c-o-,o-,00
F10h,c-,c-c-c-,c-c-,c-c-c2o-,o-,00
F20dmNo Alternates
***********************************
*Note: G, Octave 1 (200)
Ngn1;A
F00d,c-,c-c-c-,c-c-,c-c-o-o-,o-,00
F10h,c-,c-c-c-,c-c-,c1c1o-o-,o-,00
F20h,c-,c-c-c-,c-c-,c1c1o-o-,o-,00
F30d,c-,c-c-c-,c-c-,c-o-c-c-,o-,00
IDifficult finger position; not as strong as regular fingering
***********************************
*Note: Ab, Octave 1 (300)
Naf1;A#
F00d,c-,c-c-c-,c-c-,c-o-o-o-,o-,00
F10h,c-,c-c-c-,c-c1,c-o-o-o-,o-,00
* Referenced by: 500,10
F20h,c-,c-c-c-,c-c-,c2o-o-o-,o-,00
F30dmNo Alternates
***********************************
*Note: A, Octave 1 (400)
Nan1;B
F00d,c-,c-c-c-,c-c-,o-o-o-o-,o-,00
F10h,c-,c-c-c-,c1c-,o-o-o-o-,o-,00
* Referenced by: 600,20
F20h,c-,c-c-c-,c-c2,o-o-o-o-,o-,00
* Referenced by: 500,20
F30dmNo Alternates
***********************************
*Note: Bb, Octave 1 (500)
Nbf1;C
F00d,c-,c-c-c-,c-o-,c-c-c-c-,o-,00
F10dr110
IThe standard %%+00 to %%-02 trill
F20dr220
IThe standard %%+00 to %%-01 trill; %%+00 is sharp
F30h,c-,c-c-c-,c1o-,c1c1c1c1,o-,00
IBest trill
F40h,c-,c-c-c-,c1o-,c-c-c-c-,o-,00
* Referenced by: 700,10
IEasier to control than the best trill
F50h,c-,c-c-c-,c-o-,c2c2c2c2,o-,00
INot too good, but the best available
***********************************
*Note: B, Octave 1 (600)
Nbn1;C#
F00d,c-,c-c-c-,o-c-,c-c-o-o-,o-,00
ITends to be sharp
F10d,c-,c-c-c-,o-c-,c-c-c-o-,o-,00
IUse if regular fingering is too sharp
F20dr110
IUsed for %%+00 to %%-02 trill; sharp
F30d,c-,c-c-c1,o-c-,c-c-c-o-,o-,00
* Referenced by: 800,60
IThe standard(?) %%+02 to %%+00 trill. %%+02 is much too sharp
F40d,c-,c-c-5-,c-c1,c-c-c-c-,o-,00
* Referenced by: 800,70
IAlternate %%+02 to %%+00 trill. Cover hole 3 less than half - will not speak unless hole is covered just right.
F50h,c-,c-c-c-,o-c2,c2c2o-o-,o-,00
***********************************
*Note: C, Octave 1 (700)
Ncn1;D
F00d,c-,c-c-c-,o-o-,o-o-o-o-,o-,00
F10dr140
IAlternate %%+00 to %%-02 trill. Easier to control than trill with standard fingerings, especially for long trills.
F20h,c-,c-c-c1,o-o-,o-o-o-o-,o-,00
F30d,c-,c-c-o-,c-c-,c-c-c2c2,o-,00
* Referenced by: 800,90
IThe standard %%+01 to %%+00 trill
***********************************
*Note: C#, Octave 1 (800)
Ndf1;D#
F00d,c-,c-c-o-,c-c-,c-o-o-o-,o-,00
F10d,c-,c-c-o-,c-c-,o-o-o-o-,o-,00
F30d,c-,c-c-o-,o-c-,c-c-c-c-,o-,00
F40d,c-,c-o-c-,c1c-,c-c-c-o-,o-,00
* Referenced by: 1000,10
IThe standard %%+02 to %%+00 trill. Play the alternate %%+00 gently or it will break to the next octave.
F50d,c-,c-o-c-,c-c1,c1c1c1o-,o-,00
IAlternate %%+02 to %%+00 trill (same alt %%+00 as prior alt, but different trill fingers - might be easier in short trill)
F60dr130
IThe standard(?) %%+00 to %%-02 trill. %%+00 is much too sharp
F70dr140
IAlternate %%+00 to %%-02 trill. Cover hole 3 less than half - will not speak unless hole is covered just right.
F80h,c-,c-c-o-,c2c2,c2o-o-o-,o-,00
F90dr230
IThe standard %%+00 to %%-01 trill
***********************************
*Note: D, Octave 1 (900)
Ndn1;E
F00d,c-,c-c-o-,o-o-,o-o-o-o-,o-,00
F10h,c-,c-c1o-,o-o-,o-o-o-o-,o-,00
F20d,c-,c-o-c-,c-c2,c2o-o-o-,o-,00
IThe standard %%+01 to %%+00 trill
F30d,c-,c-o-c-,c2c-,c-o-o-o-,o-,00
* Referenced by: 1000,20
IAlternate %%+01 to %%+00 trill (same alt %%+00 as prior alt, but different trill finger)
F50d,c-,c-o-c1,c1c1,c-o-o-o-,o-,00
* Referenced by: 1100,70
IAlternate %%+02 to %%+00 trill(same alt %%+00 as prior alts, but upper note is alt E)
***********************************
*Note: Eb, Octave 1 (1000)
Nef1;F
F00d,c-,c-o-c-,c-o-,o-o-o-o-,o-,00
F10dr140
IThe standard %%+00 to %%-02 trill; Play the alternate %%-02 gently or it will break to the next octave.
F20dr230
IAlternate %%+00 to %%-01 trill
F30d,c-,o-c-c-,c-o-,c-c-o-o-,o-,00
IWeak sounding
F40h,c-,c1o-c-,c-o-,o-o-o-o-,o-,00
* Referenced by: 1200,40
F50h,c-,c-o-c2,c-o-,o-o-o-o-,o-,00
* Referenced by: 1100,50
***********************************
*Note: E, Octave 1 (1100)
Nen1;F#
F00d,c-,c-o-o-,o-o-,o-o-o-o-,o-,00
F10d,o-,c-c-c-,c-o-,o-o-o-o-,o-,00
F20d,o-,c-c-c-,c-o-,c-c-o-o-,o-,00
F30d,c-,o-c-c2,o-o-,o-o-o-o-,o-,00
IThe standard %%+01 to %%+00 trill
F40d,c-,o-c-o-,c2c-,c-c-c-o-,o-,00
IAlternate %%+01 to %%+00 trill; you can also trill with all right-hand fingers
F50dr250
IThe standard %%+00 to %%-01 trill
F60h,c-,c1o-o-,o-o-,o-o-o-o-,o-,00
* Referenced by: 1300,20
IThe standard %%+02 to %%+00 trill
F70dr150
IAlternate %%+00 to %%-02 trill
F80d,o-,c-c-c1,c1o-,c1c1o-o-,o-,00
IAlternate %%+02 to %%+00 trill
***********************************
*Note: F, Octave 2 (1200)
Nfn2
F00d,c-,o-c-o-,o-o-,o-o-o-o-,o-,00
F10d,c-,o-o-c-,c-c-,o-o-o-o-,o-,00
F30d,c-,o-o-c-,c-o-,c-c-c-o-,o-,00
F40dr140
IThe standard %%+00 to %%-02 trill
F50h,c1,o-c-o-,o-o-,o-o-o-o-,o-,00
F60d,o-,c-c-c2,o-o-,o-o-o-o-,o-,00
IAlternate %%+01 to %%+00 trill
F80h,c-,o-c2o-,o-o-,o-o-o-o-,o-,00
* Referenced by: 1300,30
IThe standard %%+01 to %%+00 trill
***********************************
*Note: F#, Octave 2 (1300)
Ngf2
F00d,o-,c-c-o-,o-o-,o-o-o-o-,o-,00
F10d,o-,o-c-c-,c-o-,o-o-o-o-,o-,00
F20dr160
IThe standard %%+00 to %%-02 trill; very strong-sounding note
F30dr280
IThe standard %%+00 to %%-01 trill (same alt %%+00 as prior alt, but different trill); very strong-sounding note
F40d,o-,o-c-c2,c-o-,c-c-o-o-,o-,00
IAlternate %%+01 to %%+00 trill
F50d,o-,c-o-c-,c-c1,c-c-o-o-,o-,10
* Referenced by: 1500,20
IThe standard %%+02 to %%+00 trill; odd: trill finger down yields higher note
F60h,o-,c2c-o-,o-o-,o-o-o-o-,o-,00
***********************************
*Note: G, Octave 2 (1400)
Ngn2
F00d,o-,o-c-o-,o-o-,o-o-o-o-,o-,00
F10d,o-,o-o-c-,c-c-,o-o-o-o-,o-,00
F20d,o-,c-c-c-,c-c1,c-c-c-c-,o-,00
* Referenced by: 1600,10
IThe standard %%+02 to %%+00 trill; one of the most difficult trills to learn
F30d,o-,c-c-c-,c-c-,c1c1c1c1,o-,00
* Referenced by: 1600,20
IAlternate %%+02 to %%+00 trill; same alt %%+00 as prior trill; different trill fingers sometimes easier to control
F40d,o-,c2c-c-,c-c-,c-c-c2c2,o-,00
IThe standard %%+01 to %%+00 trill
F50d,o-,c-c-c-,c-c-,c-c-c2c2,o-,00
IAlternate %%+01 to %%+00 trill; easier to control than prior trill
F70d,o-,o-o-c-,c-c2,c-c-o-o-,o-,10
* Referenced by: 1500,70
IAlternate %%+01 to %%+00 trill; odd: trill finger down yields higher note
***********************************
*Note: Ab, Octave 2 (1500)
Naf2
F00d,o-,o-c-c-,c-c-,c-c-o-o-,o-,00
F10d,p-,c-c-c-,c-c-,c-o-o-o-,o-,00
ISharp
F20dr150
IThe standard %%+00 to %%-02 trill; odd: trill finger down yields higher note
F30h,o-,o-c-c-,c-c1,c-c-o-o-,o-,00
* Referenced by: 1700,10
F40h,o-,o-c-c-,c-c-,c2c2o-o-,o-,00
* Referenced by: 1600,30
F70dr270
IAlternate %%+00 to %%-01 trill; odd: trill finger down yields higher note
***********************************
*Note: A, Octave 2 (1600)
Nan2
F00d,p-,c-c-c-,c-c-,o-o-o-o-,o-,00
F10dr120
IThe standard %%+00 to %%-02 trill; one of the most difficult trills to learn
F20dr130
IAlternate %%+00 to %%-02 trill; sometimes easier to control than the prior trill
F30dr240
IThe standard %%+00 to %%-01 trill
F40d,p-,o-c-c-,c-c-,o-o-o-o-,o-,00
F50h,p-,c-c-c-,c1c-,o-o-o-o-,o-,00
F60d,p-,c-c-c-,c-o-,c-c-c2c2,o-,00
IThe standard %%+01 to %%+00 trill
***********************************
*Note: Bb, Octave 2 (1700)
Nbf2
F00d,p-,c-c-c-,c-o-,c-c-o-o-,o-,00
F10dr130
IThe standard %%+00 to %%-02 trill
F20h,p-,c-c-c-,c1o-,c1c1o-o-,o-,00
F30h,p-,c-c-c-,c1o-,c-c-o-o-,o-,00
* Referenced by: 1900,10
INot as pure as standard-fingering trill, but easier to control for long trills
F40d,p-,c-c-c-,o-c-,c2o-o-o-,o-,00
IThe standard %%+01 to %%+00 trill
F60d,p-,c-c-c-,c2o-,c-c-c-o-,o-,00
* Referenced by: 1800,50
IAn alternate %%+01 to %%+00 trill; %%+00 is flat
***********************************
*Note: B, Octave 2 (1800)
Nbn2
F00d,p-,c-c-c-,o-c-,o-o-o-o-,o-,00
F10d,p-,c-c-o-,c-c1,o-o-o-o-,o-,00
IThe standard %%+02 to %%+00 trill
F20h,p-,c-c-c-,o-c2,o-o-o-o-,o-,00
F30h,p-,c-c-c1,o-c-,o-o-o-o-,o-,00
* Referenced by: 2000,50
F50dr260
IAlternate %%+00 to %%-01 trill; %%-01 is flat; %%+00 is pretty good
***********************************
*Note: C, Octave 2 (1900)
Ncn2
F00d,p-,c-c-c-,o-o-,o-o-o-o-,o-,00
F10dr130
IAlternate %%+00 to %%-02 trill; easier to control than trill using standard fingerings for both notes
F20h,p-,c-c-c1,o-o-,o-o-o-o-,o-,00
F30d,p-,c-c-o-,c-o-,c2c2o-o-,o-,00
IThe standard %%+01 to %%+00 trill
F60d,p-,c-c-o-,c2o-,c-c-o-o-,o-,00
* Referenced by: 2000,60
IAlternate %%+01 to %%+00 trill; same alt %%+00 as prior trill; some may find the different trill finger easier
***********************************
*Note: C#, Octave 2 (2000)
Ndf2
F00d,p-,c-c-o-,c-o-,o-o-o-o-,o-,00
F20d,p-,c-c-c1,c-c-,c-c-c1c1,o-,00
IThe standard %%+02 to %%+00 trill
F30h,p-,c-c-o-,c2o-,o-o-o-o-,o-,00
F50dr130
IAlternate %%+00 to %%-02 trill; %%+00 may speak more easily on some recorders than standard fingering
F60dr260
IAlternate %%+00 to %%-01 trill; uses a different trill finger (yielding an alt %%+00) than the standard trill
***********************************
*Note: D, Octave 2 (2100)
Ndn2
F00d,p-,c-c-o-,o-o-,o-o-o-o-,o-,00
F20d,p-,c-c-c-,o-c-,c-c-c-o-,o-,00
F30d,p-,c-c-5-,c-c-,c1c1c1c1,o-,00
* Referenced by: 2300,40
IThe standard %%+02 to %%+00 trill; half cover hole 3; difficult to master
F40d,p-,c-c1c1,o-c-,c-c-c-o-,o-,00
* Referenced by: 2300,60
IAlternate %%+02 to %%+00 trill; alt %%+02 is very sharp; the alt %%+00 is good
F60d,p-,c-c-5-,c-c-,c-c-c2c2,o-,00
* Referenced by: 2200,50
IThe standard %%+01 to %%+00 trill; half cover hole 3; difficult to master
F70d,p-,c-c-c1,o-c-,c-c-c-o-,o-,00
* Referenced by: 2200,70
IAlternate %%+01 to %%+00 trill; alt %%+01 is flat; alt %%+00 is good
***********************************
*Note: Eb, Octave 2 (2200)
Nef2
F00d,p-,c-c-o-,c-c-,c-c-o-o-,o-,00
F20h,p-,c-c1o-,c-c-,c1c1o-o-,o-,00
F30h,p-,c-c-o-,c-c-,c2c2o-o-,o-,00
F50dr260
IThe standard %%+00 to %%-01 trill; half cover hole 3; difficult to master
F70dr270
IAlternate %%+00 to %%-01 trill; alt %%+00 is flat; alt %%-01 is good
***********************************
*Note: E, Octave 2 (2300)
Nen2
F00d,p-,c-c-o-,c-c-,o-o-o-o-,o-,00
F10d,p-,c-o-o-,c-c-,c-c-c-c-,o-,00
F20h,p-,c-c2o-,c-c-,o-o-o-o-,o-,00
F40dr130
IThe standard %%+00 to %%-02 trill; half cover hole 3; difficult to master
F60dr140
IAlternate %%+00 to %%-02 trill; alt %%+00 is very sharp; the alt %%-02 is good
***********************************
*Note: F, Octave 3 (2400)
Nfn3
F00d,p-,c-o-o-,c-c-,o-o-o-o-,o-,00
F10h,p-,c2o-o-,c-c-,o-o-o-o-,o-,00
F30d,p-,c-o-c-,c-c2,c-c-c-c-,c-,00
* Referenced by: 2500,10
IStandard(?) %%+01 to %%+00 trill; start with normally fingered %%+01; %%+00 is too sharp
F50d,p-,c-5-o-,c-c2,c-c-c-c-,c-,00
* Referenced by: 2500,20
IAlternate %%+01 to %%+00 trill; start with normally fingered %%+01; %%+00 is a little too sharp (better than prior trill)
***********************************
*Note: F#, Octave 3 (2500)
Ngf3
F00d,p-,c-o-c-,c-o-,c-c-o-o-,c-,00
ICover foot with knee
F10dr230
IStandard(?) %%+00 to %%-01 trill; start with normally fingered %%+00; %%-01 is too sharp
F20dr250
IAlternate %%+00 to %%-01 trill; start with normally fingered %%+00; %%-01 is a little too sharp (better than prior trill)
F30d,p-,c-o-c-,c1c1,c1c1c1c1,o-,00
* Referenced by: 2700,60
IStandard %%+02 to %%+00 trill; %%+00 much too sharp, but good for short trills
F40d,p-,c-o-c-,c-c2,c2c2c2c2,o-,00
* Referenced by: 2600,40
IAlternate %%+01 to %%+00 trill; %%+00 much too sharp, but good for short trills
F50h,p-,c-o-c-,c2o-,c2c2o-o-,c-,00
* Referenced by: 2600,50
F60d,p-,o-o-o-,c-c-,o-o-o-o-,o-,00
F62dmThe fingering at left is used in upward scales from (normally fingered) %%-02 or %%-01. It MUST be slurred from the lower note. It is a life saver in Brandenburg Concerto#4
***********************************
*Note: G, Octave 3 (2600)
Ngn3
F00d,p-,c-o-c-,c-o-,c-c-o-o-,o-,00
F10d,p-,c-c-c-,o-c-,o-o-c-c-,o-,00
F20d,p-,c-o-c-,c-o-,c-c-c-o-,o-,00
F30d,p-,c-o-c-,c-o-,c-c-c-c-,o-,00
F40dr240
IAlternate %%+00 to %%-01 trill; %%-01 much too sharp, but good for short trills
F50dr250
IStandard(?) %%+00 to %%-01 trill; may be easier in some contexts than prior trill. Intonation is true
F60h,p-,c-o-c1,c1o-,c1c1o-o-,o-,00
F70h,p-,c-o-c-,c2o-,c2c2o-o-,o-,00
* Referenced by: 2700,70
***********************************
*Note: Ab, Octave 3 (2700)
Naf3
F00d,p-,o-c-c-,o-o-,o-o-o-o-,o-,00
F10d,p-,o-c-c-,c-o-,c-c-o-o-,o-,00
F30d,p-,o-c-c-,o-o-,c-c-o-o-,o-,00
F40d,p-,o-c-c-,o-c-,o-o-o-o-,o-,00
F50d,p-,o-c-c2,o-c2,c2c2o-o-,o-,00
IThe standard %%+01 to %%+00 trill
F60dr130
IStandard %%+00 to %%-02 trill; %%-02 much too sharp, but good for short trills
F70dr270
IStandard %%+00 to %%-01 trill; same alt %%+00 as prior trill, but different trill fingers
F80d,p-,c-o-c-,o-o-,c-c-o-o-,o-,00
IUseful in slurs from %%-01. The note is flat.
***********************************
*Note: A, Octave 3 (2800)
Nan3
F00d,p-,o-c-o-,o-o-,o-o-o-o-,o-,00
F10d,p-,o-c-c-,o-c-,c-c-o-o-,c-,00
ISharper than standard
***********************************
*Note: Bb, Octave 3 (2900)
Nbf3
F00d,p-,c-c-o-,c-c-,c-o-o-o-,c-,00
F30dmNo Alternates
***********************************
*Note: B, Octave 3 (3000)
Nbn3
F00d,p-,c-c-o-,c-c-,o-o-o-o-,o-,00
F30dmNo Alternates
***********************************
*Note: C, Octave 3 (3100)
Ncn3
F00d,p-,c-o-o-,c-o-,o-o-o-o-,o-,00
IVery harsh
F30dmNo Alternates
***********************************
*Note: C#, Octave 3 (3200)
Ndf3
F00dmThis note is beyond even the "extended" range of the recorder
***********************************
*Note: D, Octave 3 (3300)
Ndn3
F00dmThis note is beyond even the "extended" range of the recorder
***********************************
*Note: Eb, Octave 3 (3400)
Nef3
F00dmThis note is beyond even the "extended" range of the recorder
***********************************
*Note: E, Octave 3 (3500)
Nen3
F00dmThis note is beyond even the "extended" range of the recorder
